Redeemer Presbyterian Church

The Ukrainian Orthodox Cathedral is led by a man who shares a name with the church’s own saint: Volodymyr. Pastor Volodymyr Muzychka greeted us at the door to the church, tucked underneath the façade’s wide balcony, dressed in religious robes that gave him an air of beneficence. Despite the language barrier, the pastor could not have been more charming as he led us through the halls of this magnificent church. Volodymyr came to New York from the Ukraine in 2011 and lives within the walls of the cathedral with his family. He told us that he only allows the heat to be on during the winter months for a half an hour in the morning and again at night, despite the frigid temperatures. Smiling, he said that he likes it this way. Since there were no services on the day that we visited, the cathedral building was cool, dark, and serene. We first stopped in to look at a large party room. The hallway leading to it was lined with portraits of influential religious Ukrainian figures. Next, Volodymyr took us up to the sanctuary in an elevator dating back to 1937. The smell of incense greeted us as we stepped into the sanctuary, lined with stained glass. Volodymyr explained that the building was first constructed in 1894-96 to be a synagogue by noted New York architect Arnold W. Brunner and became a church in 1958. We walked up the stairs to the choir loft, which gave an even grander view of the space. I have met many warm and fascinating leaders of both churches and synagogues over the past several years walking on the side streets of Manhattan. Pastor Muzychka touched my heart in a way that no other has, thus far.

When I sat down in the minister's office at West Park Presbyterian Church, the first thing I asked was his name. He responded, "I am going to give you the whole thing, and you decide how much you would like to include. " It is a name to be proud of - Reverend Doctor Robert Brashear. Though originally from Pittsburgh, Pennsylvania, Robert has been at the church since 1995. He first came to New York for an internship from 1982-83, and enjoyed his time in the city so much that he leapt at the opportunity to return when it was presented to him years later. The church has a fascinating history. It was originally formed under the name "North Presbyterian Church" on Bleecker Street in 1829 in response to the growing population of people moving north to escape the Yellow Fever. The congregation soon split and one group became the West Presbyterian Church, moving to a building on Carmine Street. In the meantime, the Park Presbyterian Church was formed on 84th Street thanks to the efforts of A. Phelps Atterbury in 1887. In 1890, Park Presbyterian moved into the red sandstone structure on 86th Street and the two congregations, West and Park, merged in 1911. The church received landmark status in 2000. West Park Presbyterian has always been at the forefront of a lot of political and social issues. In 1978, the church was one of the first to jump into the LGBT movement - the Reverend believes that the shift towards the religious embrace of homosexuality actually started in this church. He explained that the church was the first to perform gay marriages and "acknowledge them as just that. " In terms of other social movements, the Reverend also declared that Senior Housing had its birth on 86th Street. Additionally, during Occupy Wall Street when the people were pushed out of Zuccotti Park, activists were invited to take up housing in the church. Some remained for close to a year. Robert is proud that although the church's membership only consists of a few dozen families, they are continuously written up and receive excellent reviews for the cultural events that they hold. According to the Reverend, the tightly knit community at West Park Presbyterian will always be on the "cutting edge" - where things happen.

I often wish that I could somehow capture sounds and smells on Manhattan Sideways. I especially felt that way at the Church of the Holy Trinity, where Andrew, the director of music, was practicing on the large Letourneau organ, which replaced the church’s old organ in the mid-1990s. The booming, melodious tune echoed throughout the halls of the enormous ceiling as Colleen Glazer, the Program Director and Director of Religious Education, led us through the church. The Holy Trinity congregation began in what is called the “lower church” downstairs in 1898 while the upper church was being built. The grand structure took fourteen years to make and was opened in 1912. The sand- and terracotta-colored walls are made of Guastavino tiles, a material that was invented by Spanish architect Rafael Guastavino in 1885. It ensures that vaulted ceilings, such as those of Holy Trinity, remain strong and self-supporting. The tiles are especially prevalent in Beaux Arts structures. Over a century after the church’s inception, the congregation is going strong. Colleen was keen to tell us that there are some 1400 parishioners. She went on to say that she has witnessed the demographics of the neighborhood shifting, bringing in many more young families. The church is also proud of its diversity: the congregation is home to people of all races, nationalities, and ages, drawn together by their faith.

All parents throughout New York, locals and tourists alike, should know about the educational and transformative experience of the Children's Museum of Manhattan. The 83rd Street institution, although it opened in 1973, has been at its current location since 1989. It is an extraordinary (not to mention really fun! ) resource for both kids and adults. I happened to visit during the week that constitutes winter break for New York schools, and so I witnessed an incredible amount of excitement and enthusiasm on each of the floors. Children as young as a few weeks old were in their mother's arms or being pushed in a stroller while their siblings were running around, checking out the interactive exhibits. Almost every aspect of the museum had something to push, touch, or listen to, giving children a tactile way of learning and remembering. I received an eye-opening tour from David Rios, the Director of Public Programs, who guided me from the fifth floor back to ground level. An exhibit called Playworks, designed for early learning, is located upstairs. For more than ten years, the museum's team worked side by side with child development experts to create a space where little ones can enhance their motor skills and problem-solving abilities. I enjoyed standing on the sidelines and observing children climbing in and out of a large wooden FDNY truck, a NYC bus, and a deli with plastic foods. As David explained, "Some museums have a supermarket, but we're in New York, so we have a deli. "I was amazed by how often the museum catered to varying age levels within the same space. For example, in the Movers and Shakers section, older children could learn math and physics by building mini roller coasters while younger siblings could crawl through tunnels and slide down slides. I was delighted to see parents participating with their children: this is definitely a museum where entire families can enjoy themselves, and children's learning is enhanced by parental guidance. Though there are plenty of buttons that encourage children to learn on their own, there is also signage so that parents can provide a further explanation to their kids. The museum is designed so that parents and older children do not feel intimidated or shy about trying out the different exhibits. As David stated so nicely, "This is a fun, non-judgmental environment for all ages to learn. "Continuing on, I entered The Lab, where children can read stories, sing songs, and learn more about art and science. All of the writing and sound bites are bilingual, since Spanish-speaking families make up such a significant portion of New York City's population. David told me that The Lab sometimes holds special events, such as a visit from members of Alvin Ailey, who danced with the children in an effort to teach them about movement. The next room took Peek-a-Boo to a whole new level with a digital version of the game and in the following room, I had to laugh out loud as I explored the digestive system, complete with a talking toilet. The grand finale of the tour was the America to Zanzibar: Muslim Cultures Near and Far special exhibit that is running from February 2016 - February 2017. The visually compelling exhibit is a multimedia exploration of the diversity of Muslim cultures within the United States and abroad. It is a collaboration between the museum's staff and members of the Muslim community and is an ingenious way of introducing children to topical cultural differences in an age-appropriate way. For example, there is a section where kids can press buttons to smell a variety of fruits and spices, as well as a collection of "Objects and Stories from American Muslim Homes. " Some other highlights included a life-size camel, musical instruments, and a virtual reality room that allows visitors to explore the architectural styles of different mosques. I was pleased to find out Mayor Bill de Blasio supports the exhibit. He has stated, "With America to Zanzibar, children will have the chance to learn about Muslim cultures in an engaging and thoughtful way. We only grow stronger when we embrace and celebrate the multitude of cultural backgrounds that make up New York. "

The Metropolitan Republican’s Club began its life in 1902 as the Republican Club of the 29th District. It originally met on Madison Avenue before moving to the Croyden Hotel in 1929. The current clubhouse was built in 1930. Past and present members include Theodore Roosevelt, Richard Nixon, Michael R. Bloomberg, and Rudolph Giuliani.

Taka Tokuyama came to the US from Tokyo in 2004. He began his career in New York working not only in salons, but also as a hair stylist for fashion shows and some leading magazines. In 2011, he decided that it was time to launch his own brand. The first business that he opened was on 83rd Street. He immediately drew customers from the neighborhood, and he is proud to say that many of the celebrities he worked with over the years also frequent the salon. In 2013, he opened another space in the East Village, followed more recently in 2016, with one in Tribeca. Each week, Taka divides his time as evenly as possible, accommodating his clients at all three of his salons.

When I knocked on the door to Engine Company 74, two firemen sprinted to the door and opened it with big grins on their faces. It was quite a welcome, and another example of how New York's firemen are consistently friendly and kind. The disposition of the two men clashed with the ominous dinosaur skull that marks their doors, but I soon learned the reason for the design: the doors to the firehouse used to be painted black, and so other firemen would often accidentally miss the building while looking for it, earning the company the nickname "The Lost World. " It also helps that the Museum of Natural History, home to a vast collection of dinosaur bones, is a few blocks away. The company started on 77th Street, with Hook and Ladder 25. Engine Company 56 occupied the 83rd Street building, which had been donated to the FDNY by Harry M. Archer, doctor and Deputy Chief of the fire department. His donation, however, came with a special stipulation: the building had to always house a fire truck, or else the property would revert back to his family. Engine Company 56 was disbanded in 1960 and replaced, in the same firehouse, with Squad Company 6. According to James Riordan, a former member of Squad Company 6, their initial apparatus was a hose wagon, then a van, and eventually a pumper before they, too, were disbanded in 1972. The Squad 6 firefighters were assigned to the then newly formed Ladder 59 in the Bronx, and Engine 74 moved in. In addition to its interesting origin story, Engine Company 74 has another element that makes it stand out from other companies: A Dalmatian. We met Yogi, the twelve year old dog who is the firehouse's mascot. He has also become a neighborhood icon, to the extent that when Yogi got sick, the community raised $7, 000 for his medical bills. I learned that Dalmatians are associated with fire departments because back when there were horses and buggies, rather than fire trucks, Dalmatians were discovered to be the best at keeping the horses on course. Sadly, not many firehouses still have Dalmatians, which is all the more reason why Engine Company 74 shows Yogi so much love. They raised him from a pup, and the fireman admitted that the canine has spent more time in the house on 83rd Street than any of men. As I said my goodbyes to the firemen, I mentioned that firemen were consistently the friendliest, most optimistic people on the side streets. One of the firemen nodded, "Of course – it's the best job in the world. You get to help people. "