Broadway Spanish Seventh-day Adventist Church

I never miss the opportunity to gaze upward when entering a space in the hopes of discovering a chandelier (Check out our Sideways Story on the stunning chandeliers of the Side Streets). Peeking inside Annunciation Greek Orthodox Church on a Sunday afternoon, it was the dazzling, yet unlit, fixture that captured my attention first. I could still decipher its glistening in the dim shafts of light ​filtering through the stunning​ figurative​​ ​stained glass​ ​"Transfiguration of Christ" by​ ​​​L. C. ​Tiffany​ ​(containing over ​1​7​, 561 individual pieces of glass)​. ​ When I returned to the church with members of our team and Chrissi Nicolas, the office manager, turned on a few of the lights, we were able to see the spectral beams produced by the Czechoslovakian crystal. The entire sanctuary appeared to work in tandem, with the stained glass projecting light on the chandelier, which in turn reflected it onto the artwork surrounding the altar. For those who attend and work at Annunciation, it is considered a miraculous place. Chrissi told us that it was built in 1894 as the Fourth Presbyterian Church. The Greek Orthodox Church bought the location in 1953, after having met in various locations since its founding as the “Evangelismos” (“The Good News”) church in the late nineteenth century. At the beginning, the entire space was lit with a combination of electricity and gas lighting. They used an ingenious series of vents that allowed the gas to escape while turning on every light in the room with a single flint switch. “For its time, this building had amazing engineering, ” Chrissi said. We ascended to the loft, where we received a view of the magnificent pipe organ. Annunciation's​ organ is one of the few tonally unaltered organs designed by E. M. Skinner that remain in existence today. We learned a lot about the traditions and practices of the Greek Orthodox Church through Chrissi. For example, one always knows the feast day is celebrated by the church by looking to the left of the Royal Doors of the altar to see what icon appears there. Chrissi also provided us with an interpretation of the surrounding religious art imagery. For example, in the painting of the Annunciation, the angel has his feet apart to show that he is running towards the Virgin Mary. In 1957, the congregation installed an intricate iconastasis screen of linden and lime tree wood designed and executed in Greece by noted Byzantine-style woodcarver Theophanis Nomikos, with inset icons hand-painted by New York iconographer Konstantinos Youssis of the Bronx. There are many coincidences contained within the church’s history. For example, the Greek Orthodox congregation that would become Annunciation was founded in 1892, the same year the church at 91st Street was starting to be built. Also, the congregation moved into the building on March 25th, the day of the Annunciation of Christ, hence the name. Possibly the most mysterious fact about the church, however, is that one of the priests is said to have been visited by St. Xenia, a little-known saint. After his vision, the priest was hesitant to tell anyone, since it was the twentieth century, and he was afraid that no one would believe him. But he did some research, and discovered that St. Xenia did, in fact, exist. In his vision, she asked him to paint her icon. He did, and today the icon he painted holds a special position in the sanctuary and in the history of the parish

Like many uptown churches, Central Baptist Church had its origins downtown. It was founded in 1842 on Laight Street and later moved to the Times Square area before finding its current home in 1916. Sharrata Hunt, the office manager, showed me around the main sanctuary, pointing out the stained glass windows that depict the life of Christ and the large organ that, though it has not worked in thirty years, is a grand addition to the space. Today, there are over 150 active members. In addition to the English masses, there is a Spanish mass every Sunday and Haitian services on Sunday evenings. Sharrata showed me to the chapel, which is ornamented at the front by the same style of stained glass as the sanctuary. Music is very important to Central Baptist Church. Arrayed around the altar are a piano, bass guitar, and drum set, which are used at every service. Sharrata also let me know that there are some extraordinary musicians in the congregation and that David Wallace, the music director, is a trained opera singer. One of the church’s parishioners in the early 1900s was Robert Lowry, a respected hymn-writer who is best known for “Shall We Gather at the River, ” which is still in the hymnals. On the lower level, there is a gym that was started by Pastor Bruschweiler, who was the head of Central Baptist church until the mid-1990s. I could hear children playing down there as I stood on the ground floor. The basketball court is a wonderful resource for neighborhood children and has helped expand the church community. Sharrata informed me that one Elder of the church became a Christian because he came to Central Baptist Church for basketball so often. He even married a girl who was a cheerleader for the basketball team. On the top floor of the church, there is another gym, which is used as a dance studio. “The church is a good resource for local schools, ” Sharrata said.

As of 2018, this is also the temporary home of Congregation Shaare Zedek.

The Synod of Bishops Russian Church is the base for the Russian Orthodox Church Outside Russia (ROCOR) in New York City. ROCOR, which was formed in response to the policies of the Bolsheviks in the early twentieth century, was a separate religious entity from the Russian Orthodox Church for ninety years. In 2007, however, the Act of Canonical Communion with the Moscow Patriarchate was signed, making ROCOR a semi-autonomous part of the Russian Orthodox Church. The administrative building on 93rd Street contains two churches within its structure: The Cathedral of the Icon of Our Lady of the Sign and St. Sergius Church. The building was presented to ROCOR in the mid-twentieth century by Serge Semenenko, a Russian banker. The mansion was built by the architect William A. Delano in the Georgian-Federal style in 1918.

On her own grassy island in the middle of Riverside Drive, Joan of Arc sits astride a horse, staring over the Hudson River. The sculpture’s artist is Anna Vaughn Hyatt Huntington, one of the first woman artists to be elected to the American Academy of Arts and Letters. She studied and worked in the United States until 1906, when she moved to Paris. Joan of Arc became her muse while she was in France, so she researched the female historical figure extensively and began work on her sculpture. The piece is notable for being one of the first featuring a human being that Huntington attempted. Up to that point, the artist focused on animals. In 1910, Huntington finished her sculpture and won an Honorable Mention for it at the Paris Salon. Meanwhile, money was being raised in New York for a statue of Joan of Arc that would be placed by Riverside Park for the 500th anniversary of the saint’s birth. Huntington’s sculpture was chosen, making it the first equestrian statue by a woman to be erected in New York.