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Opening Hours
Today: 1–7pm
Fri:
Closed
Sat:
Closed
Sun:
1–7pm
Mon:
Closed
Tues:
Closed
Wed:
1–7pm
Location
2 Extra Place
Neighborhoods
Nalata Nalata 1 Gift Shops Kitchens Accessories Furniture and Home Furnishings Novelty East Village

A dainty shop located on Extra Place - that little side street off of 1st Street where the Ramones photographed an Album Cover - Nalata Nalata features high quality décor sourced mainly from Japan. In the same way that Manhattan Sideways shares the stories of businesses on the sidestreets of Manhattan, Nalata Nalata, as their website explains, “is a retail experience founded on promoting awareness of the people and stories behind our curated lifestyle products.”

On my first visit to Nalata Nalata, I spoke with Angelique J.V. Chmielewski, who co-founded the business with her husband, Stevenson S.J. Aung. Originally from Alberta, Canada, Angelique came to New York to study fashion design at the Fashion Institute of Technology while Stevenson, her boyfriend at the time, fulfilled his masters in industrial design at the Pratt Institute.

Nalata Nalata began as a website beautifully crafted to feature sections like Backstory, with write-ups on the brands behind the pieces, and Journal, detailing the journey and artistic endeavors through captioned photographs. In late 2013, Nalata Nalata opened in Extra Place as a pop-up store and, after falling in love with the spot, the owners decided to make it a permanent stay.

Though functional in a traditional way, each product in the store contains intrinsic artistic and narrative values, many sourced from “multigenerational craftsmen who continue to refine their skill.” Angelique first directed me to the porcelain Ju-Bakos, Japanese stacking boxes, which are traditionally used for food on special occasions. Representative of multilayered happiness, each box was crafted with a different glaze.

Later, Angelique held up a glass terrarium box designed by 1012 Terra, a company based in Chiba, Japan that is focused on celebrating plant life. In the box was a dried flower reminiscent of the rose in Beauty and the Beast.  “In order to preserve a flower,” she explained, “pin it in the box and flip it upside-down. When it has completely dried out, it will be straight when turned upright.”

Though devoted to sharing the works of others, Nalata Nalata is cemented by the artistry of Angelique and Stevenson. From the custom-made cabinets to the slab roof ceiling, the two redesigned the entire interior of the store in the months before its opening, with the help of some additional hands. The carefully selected products perfectly complement the spare, bright space.

The store's website also reveals a great deal of artistry, with each piece beautifully photographed, set to a white background, and matched with a whimsical remark and a few lines about its origins, making online shopping more homey and intimate. The wool blankets exclaim, “Cool nights, brisk mornings, frigid afternoons. Whatever weather the day may bring I’m a tried-and-true, dyed-in-the-wool cozy friend… Always by one’s side to provide warmth and comfort.”

Nalata Nalata is also working on their own line of products. One recent addition, the denim Ojami, bridges Japanese traditions and contemporary American design.  Handmade in Kyoto, the Ojami are versatile pillows. Angelique and Stevenson enjoy using them as seats to “live low,” but they also function as throw pillows. In the future, the couple hopes to get into more denim and hardware products, while continuing to curate objects they appreciate artistically and sentimentally. For now, Angelique says, “We are just happy to be here.”

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Nalata Nalata 1 Gift Shops Kitchens Accessories Furniture and Home Furnishings Novelty East Village
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White Trash

Though native to Philadelphia’s suburbs, Stuart Zamsky has earned the label of “true New Yorker” after decades of living in the East Village and running the antique shop, White Trash, half a block from his apartment. Stuart and his now-wife, Kim Wurster, were actors doing odd jobs and frequently traveling out of town in the 1990s. On their trips, they visited flea markets, stockpiling housewares, 1950s collectibles, and kitsch, which they would resell on weekends on the street outside of their home. “We amassed a huge amount of stuff” and garnered a following from neighborhood locals, Stuart said. “We just loved it. ”Over time, the couple’s sidewalk sales drew the ire of police, so they transferred their growing inventory to a nearby storefront and have continued selling beautiful furniture and “value-oriented pieces” ever since. Kim went back to teaching while Stuart managed the business — he nonetheless still relies on her good aesthetic judgment when picking his wares. Though Stuart is sometimes saddened by the migration of his fellow antique shops to isolated showrooms or online platforms, he is delighted to see that the digital age has ushered younger buyers into the world of antiquing. During the COVID-19 pandemic in particular, he found that people stuck at home increasingly felt the urge to “buy themselves real furniture and leave their cinder blocks and milk crates behind. ”As for the shop’s unique name, Stuart admits that it was inspired by an inside joke. When he and his wife would return to the city — hauling kitchen tables strapped to a DIY roof rack on their car and with furnishings and knickknacks poking through the windows — they would quip, “We look like the worst white trash in the world. ” Humorously, the title stuck, even as the business left its hodgepodge beginnings behind and started offering more modern pieces.

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Random Accessories

Tucked in the heart of the East Village, Random Accessories is a small and colorful treasure chest of hundreds of gift items that “you can send to anyone, anytime”, according to Lynn, the owner. From greeting cards to jewelry and hip T-shirts, Lynn has been committed to offering customers a diverse range of gifts since 1996. With extensive experience in jewelry buying and retail (as a manager for Brookstone), Lynn knows the formula for a good gift business: “Make it interesting and make it reasonably priced”. While Lynn, a local New Yorker, admits that she did not have a “clear, set idea” for the business when she started Random Accessories, she mentioned that over time the pieces started falling together into the cheerful and rich concept it is today. Her objective is to help people find the perfect gift, no matter the circumstances, whether they are on their way to a party or buying for a special occasion like Valentine’s Day. The key to such a goal for Lynn is variety of product. “We always have different items” Lynn said. One of the store's more plentiful areas is the baby gift section. Lynn explained that a “baby boom” of sorts over the last twelve years has made infant and toddler gifts extremely popular items. But Lynn stresses that the mix of goods is always changing, and when asked about potential new items in the future, her reply was energizing and straightforward: “We’re not limited by anything except what fits in the store”.

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La Sirena Mexican Folk Art

After making frequent trips to Mexico and being unable to stay there as she wished, Dina Leor decided to do the next best thing: She brought Mexico to New York. Her success is evident upon walking into the store: Everything is covered in paper flowers and bright colors, enough to lift the spirits of any New Yorker wandering in on a gray day. A Lilliputian party of skeletal characters dance on a shelf for Día de los Muertos and little metal charms called “Milagros” or “miracles” cover many of the pieces. Dina carries everything from simple keychains and children’s toys to elaborate folk art, but each piece has a special meaning, often explained by little handwritten cards on the shelves. Dina is an artist herself: she used to make colorful boxes. When she opened La Sirena in 1999, she was essentially creating a bigger box: A box housing art and culture. She calls it her “evolving assemblage, ” a “living altar. ”La Sirena attracts all sorts of people. While I was visiting, there was a Swiss family browsing, straight from the airport. Since Dina’s was the first store they had found, they gave her a little box of Swiss chocolates. Many of Dina’s customers, however, are regulars, and Mexicans themselves. While spending time with Dina, she told me how a Mexican man had walked in and started weeping, because the store reminded him of his grandmother and he had not been able to go home to visit her. The store is “an umbrella of the republic, ” Dina says, and many regions of Mexico are represented. Dina went on to tell me another story, while explaining that she carries items from $2 to $500. One day she had a Mexican mother come in and gush over the merchandise. The woman wanted to get something for her four children, but only had a twenty-dollar bill. Dina helped her find four hand-made items and felt very proud when the cash register read “$19. 60. ” Some of the pricier pieces in the store come from the expatriate New Yorker Sue Kreitzman, a cookbook writer-turned-artist, whose work is celebrated in England, where she now resides. She uses echoes of Mexican folk art in her work. La Sirena provides her with many materials and is proud to feature her art. The history and familial meaning behind all the art is fascinating: Dina explained to me that in Mexico, life and art are not clearly separated. Artistic items are often family efforts, and children will frequently come home from school in the afternoon and help paint or sculpt or craft. The art is “handmade by beautiful people: ” when she travels around Mexico, people welcome her into their home and give her tortillas to represent reciprocal warmth. One of the most beautiful sights that she has seen on her travels was a woman breast-feeding while making clay pieces at the home of Josefina Aguilar, now well-known in the folk art community. “It’s part of the circle of life, ” Dina says: making art among nature, raising children, and teaching them the same artistic passions. Dina herself is part of this circle of life: As the adopted daughter of Mexico, she is continuing its artistic traditions and teaching them, in turn, to New Yorkers.