Stag's Head

The thoughtful design of this stunning bar makes it as welcoming in the winter as it is in the summer.

A traditional Irish bar, The Perfect Pint has an impressive variety of beers on tap - forty to be exact. Gold lettering and dark woods are reminiscent of British pubs and give the bar a warm and homey feeling. Inside, beer-themed decor reigns supreme, with the tap knobs as faucet handles and re-vamped kegs as the base for bar stools. Sandwiched between the two black-and-white pictures of the old Guinness wagon is a flat-screen TV, the perfect juxtaposition of the Irish bar culture with that of today. The hidden gem, however, is the rooftop bar. Going up the three flights of stairs, we found outdoor seating overlooking 45th Street. Bookended by exposed brick walls and a thatched roof, it can easily transport one back to a quaint Irish village. Below the cast-iron gas lamps, guests sit at tables made from old casks of beer that showcase international coins, beer memorabilia, and other odds and ends. Even the bathrooms are consistent with the theme.

Sofia Wine Bar is, in a word, intimate. A post-work favorite, its dim lighting and relatively small space makes Sofia’s the perfect place for a quiet night out. Owner and designer Antonia DeGrezia, along with his wife Tomasso, wisely chose to keep some pieces from the spot’s previous life as a chandelier gallery to add to the ambiance. Although the emphasis is on their extensive wine list, Sofia has a short menu of “Italian inspired” tapas and thin crust pizzas with a variety of toppings. For a complete old world Italian meal, the couple’s DeGrezia Ristorante is only a few doors down.

Aldo Sohm Wine Bar, which opened in the late summer of 2014, pairs ease with elegance as a welcome addition to 51st Street. “We live in a very fast-paced world. ” In midtown Manhattan, these words resonate. But spoken by Aldo Sohm, seated at a table in his eponymous wine bar, they seem incongruous. “The idea is basically that when you walk in here, you walk into my living room. To me, it’s always important that you be in a place where you feel comfortable. ”Sohm continues his role as wine director at Le Bernardin, the four-star restaurant located across the 6½ Avenue pedestrian plaza. At the wine bar, however, he and Le Bernardin’s co-owners, Maguy Le Coze and Eric Ripert, have created a setting distinct from the formal restaurants in Manhattan, in its simplicity and lack of pretense. To be clear, it shares the elegance and attention to quality of its neighbors. But upon entering, an open arrangement of sofas beckons patrons to sit down. Sohm has noticed guests who arrived separately conversing across tables - sometimes even discussing their choice in wine. And wine is the focus at Aldo Sohm. Eric Ripert, Le Bernardin’s acclaimed chef, oversees the food menu; so, whether wine accompanies lunch, dinner, or a snack, it promises to impress. Guests can order bites to complement a glass of wine, like a grilled foie gras “lollipop” or a warm skewer of baby beets. Shareables include a whole baked cauliflower and a plate of Murray’s cheese with a Maison Kayser baguette. Sohm emphasizes the flexibility of the experience. If not in the lounge area, there are tall square tables for seating. The thick oak “sommelier table” incorporated into the bar seats guests on both sides, ensuring that no one is excluded from conversation. Sohm chose these arrangements intentionally. The wine bar endeavors to be unpretentious, relaxing and fun. Evoking this sensation, the architectural firm Bentel & Bentel incorporated clean lines and bold color in designing the interior. Sohm and his co-owners deliberated considerably in choosing the art in their “living room. ” Ample shelves extend to the double height ceiling, featuring artifacts meaningful to Sohm. Having grown up in Austria, Sohm points out, “I like things very very clean, very European. I like colors on top of it. ” A stack of Interior Design magazines becomes a design object itself as a cube of rainbow spines. The curves of miniature Panton S-chairs, each a different color, mirror the charred wood molds of the delicately hand-blown Zalto glasses in which each wine is served. Sohm is the brand ambassador for Zalto, an Austrian-based glassware manufacturer. To learn more about the varied wine offerings, visitors can reserve the tasting room. Aerial photographs of wine growing regions flank the eight-person table, allowing the sommelier to incorporate a visual element and story of provenance to the tasting. Sohm - once designated the “Best World Sommelier” by the Worldwide Sommelier Association - maintains humility despite his accomplishments. He wants the wine bar to be just as down to earth; an antidote to a demanding day, it exudes precision and sophistication.

While the lineups at Radio City Music Hall have changed dramatically over the years, the "Showplace of the Nation" has long been at the center of the city's entertainment scene. Opened to the public in 1932, the Art Deco building, with almost six thousand seats, was initially intended to "house high-class variety entertainment. " However, the space was later converted to a movie hall, with films accompanied by stage shows. This lasted until 1979 when, for a variety of reasons, Radio City began transitioning into a concert hall. Besides consistently booking some of music's hottest stars, Radio City has also hosted numerous award shows, including The Grammys and The Tony Awards and is the home to the Radio City Christmas Spectacular featuring the Rockettes, a tradition that commenced in 1933.

Saar, which translates to “the essence of something, ” has a double meaning for Pastry Chef Surbhi Sahni. It represents the essence of Indian food, as well as the essence of her relationship with her husband, Chef Hemant Mathur. Although Surbhi has been in the industry with Hemant for years, the two have not worked together on a daily basis since their days at their Michelin-starred restaurants, Devi and Tulsi, both of which are now closed. Saar represents their fresh start while also staying true to their culture and roots. When Surbhi and Hemant met in 2000, Hemant was teaching Indian cooking classes at New York University as he was getting ready to open Tamarind on Park Avenue. Surbhi joined the opening team at Tamarind, designing the tearoom and promoting quick lunches. He went on to operate five different spaces, including Sahib, Haldi, Chote Nawab, Malai Marke, and Chola, while Surbhi helped manage events. During that time, she also launched Bittersweet NYC, a pastry business focusing on wedding cakes and Indian style desserts for larger corporate events. Surbhi’s relationship with cooking is unlike the typical love story of most chefs. Her experience in the kitchen started at the age of ten in New Delhi as more of a responsibility and chore when her mother’s health declined. She explained to members of the Manhattan Sideways team, “It was not something I could ever imagine myself doing for the rest of my life. I wanted to do art and write and paint or sing and dance - every other activity in the world but cook. ” Notwithstanding these sentiments, Surbhi was encouraged by her father to take a job in hotel management in New Delhi. She was part of the Sheraton Group’s revolutionary all-female kitchen and restaurant at a time when there were only approximately twenty female chefs in all of New Delhi. At age twenty-five, however, Surbhi chose to move to the United States to pursue her Masters in Anthropology and Food at New York University. Despite never getting to study writing and painting at university, these endeavors have always been an integral part of Surbhi’s life. Her father is an accomplished artist exhibiting in both India and the US. Today, she is proud of her own teenage daughter, Soumyaa. "She is the true artist of the family. " When entering the dining room on 51st Street, Surbhi’s artistic aptitude is obvious. The modern space is both clean and dramatic, with natural light and bright pops of color. Saar was a particularly exciting project for her, as she was given free rein in its design. In a mere five months, she turned what she described as a dingy, confused room into an open, tasteful dining space. Saar has also allowed Surbhi and Hemant to completely reinvent their menu. They focus on regional food, staying authentic to the specific flavors of each area. For example, Surbhi told us that the Turbuj Pachadi - a tomato and watermelon salad with a fennel and ginger dressing - is a Rajasthani staple, as watermelon is a fruit that is readily available there, and is usually consumed with freshly baked bread. She has also made an effort to challenge conventional conceptions of Indian cuisine. The Mango Coconut Soup is a light and sweet palate opener, proving that Indian food is not always too spicy or a combination of too many flavors. She believes that Indian food is actually very demarcated in the way flavors are put together. “Just how in Japanese food they have many different layers of flavors they add as they’re cooking, we do the same with Indian food. ” While cooking can serve as a creative outlet, Surbhi still tries to write and paint whenever she can. In ending our conversation, Surbhi emphasized the importance of food’s role in building a community - something she looks forward to creating on West 51st Street.

A traditional Irish bar, The Perfect Pint has an impressive variety of beers on tap - forty to be exact. Gold lettering and dark woods are reminiscent of British pubs and give the bar a warm and homey feeling. Inside, beer-themed decor reigns supreme, with the tap knobs as faucet handles and re-vamped kegs as the base for bar stools. Sandwiched between the two black-and-white pictures of the old Guinness wagon is a flat-screen TV, the perfect juxtaposition of the Irish bar culture with that of today. The hidden gem, however, is the rooftop bar. Going up the three flights of stairs, we found outdoor seating overlooking 45th Street. Bookended by exposed brick walls and a thatched roof, it can easily transport one back to a quaint Irish village. Below the cast-iron gas lamps, guests sit at tables made from old casks of beer that showcase international coins, beer memorabilia, and other odds and ends. Even the bathrooms are consistent with the theme.

Patroon is filled with leather-backed chairs, wood-paneled walls, and pictures of cowboys, boxers, and hunters. Although it initially appears to be a well-preserved vestige of an older civilization, with a sense of refined masculinity, we were told by members of the staff that the restaurant is not merely an updated version of its neighbor, Sparks Steakhouse, but rather a place of innovation and growth, bringing a youthful sensibility to a neighborhood frequently determined by old-school finance. However, our first impression was not completely errant as we went on to learn that the three-story building, which is owned by Ken Aretsky, was built as a steakhouse and cigar parlor. Since its beginning, in 1999, Aretsky has adapted the townhouse building to fit more modern needs, but some of that original clubby atmosphere still lingers in the architecture. After touring their event spaces and conference rooms upstairs- filled with stuffed birds, old books, and other regalia of a past age - we visited the rooftop terrace and bar, a modern garden space overlooking central Manhattan that seems to be a hip and growing hotspot in Midtown. While we left before happy hour, we passed by several groups of twenty-something's heading up to the rooftop. We stopped by the bar downstairs before heading out, and while observing the bartender flitting around the room refilling tall glasses of iced tea, we overheard a casual discussion on the problems of inequality in modern capitalism, alongside conversations on the day's trading. This convergence of old business and new leisure makes Aretsky's Patroon into something of a quintessential New York restaurant - adeptly bringing together the traditional and the innovative, the corporate and the social into a single space.

When legendary bartender Doug Quinn parted ways with his longtime employer P. J. Clark's a few blocks north, he marched right over to 53rd Street and began creating what he describes as "an iconic New York saloon restaurant. " Doug's goal is to make Hudson Malone, named after his two young boys, the kind of neighborhood spot where people can feel at home. Whether the customer is twenty-one or ninety, "I like people to mingle with one another, " Doug told me. His hope is to build something that he believes New York lacks at the moment. A big part of this is Doug himself, as I witnessed while visiting. His warm greeting to familiar faces and new customers was genuine and charming as he quickly ran behind the bar to fix them their favorite drinks. It is also in the small details of Hudson Malone, particularly the decor, where Doug has collected photographs of New York sports legends including the 1938 Yankees, a twinkling jukebox by the front of the bar, and a chalkboard displaying Quinn's Laws - "They're all things your Grandma should have taught you, " Doug demurs. I was particularly drawn to the upstairs room, which has its own private entrance and features an intricately carved nineteenth-century center-piece serving as the backdrop to the bar. This is just one more example of the classic saloon decor. In addition to a wide selection of beers and cocktails, Hudson Malone offers a traditional American menu held to Doug's high standards. "I like putting on a show every night, " Doug excitedly told me. "I want the food coming out of my kitchen to cause people to turn their heads. "

Chances are that any local stopped on the street would know about P. J. Clarke's. One of the oldest saloons in New York City, it was established in 1884 to attract the neighborhood's copious Irish laborers. One such immigrant named Patrick Joseph Clarke began bartending there around 1902, and devoted himself to the barroom until he earned enough to buy it a decade later - and give it his name. Through two World Wars and Prohibition, through economic boom and devastation, the little brick house has remained. Starting in the 1940s it became popular among celebrity figures, but its local loyalty never faltered. Despite its legendary status in New York history, P. J. Clarke's maintains a straightforward self-presentation as the simple, classic American pub it has always promised to be. When I entered the building, my eyes were quickly drawn to a baseball game on the TV screen overhead. Red-and-white checkered cloths were spread over the tables, and at the bar, a crowd vastly dominated by men in pastel button-downs shoved and clamored. One quieter pair of fellows engaged me in a friendly chat. They were both visitors to New York, and had heard that P. J. Clarke's was an obligatory stop. As I was about to leave, their burgers arrived. I stayed just long enough to see their eyes shut in focused satisfaction as they bit down.